MovingPictureHistoryBlog

A blog for Joe Leydon's Film Studies students at University of Houston.

Wednesday, October 27, 2010

Stagecoach (1939)

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The disreputable doctor who cracks wise and drinks heavily, but sobers up when the chips are down. The golden-haired prostitute who brighten...
1 comment:
Thursday, October 21, 2010

The Public Enemy (1931)

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Despite what you’ve heard from four or five four generations of nightclub comics and impressionists, James Cagney always insisted that he...
1 comment:

His Girl Friday (1940)

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It’s the kind of grand Old Hollywood story that, if not true, should be. Filmmaker Howard Hawks claimed on several occasions, to a variet...
4 comments:
Monday, September 27, 2010

Mr. Smith Goes to Washington (1939)

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In an age when radio talk shows, all-news cable networks and seemingly infinite arrays of internet websites offer round-the-clock reports ...
3 comments:

42nd Street (1933)

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Here they are, ladies and gents: Lads and lassies, sassy and brassy, singing and swaying as Broadway sensations of 1933 while they tap-ta...
3 comments:
Tuesday, September 7, 2010

City Lights (1931)

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There may be folks who can remain dry-eyed and hard-hearted during the final moments of Charlie Chaplin’s City Lights , but take care: Anyo...
3 comments:

The General (1926)

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An internationally acclaimed auteur follows the biggest hit of his career with a budget-busting action-comedy epic. The production values a...
3 comments:
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